Bulletin Archive
This archived information is dated to the 2008-09 academic year only and may no longer be current.
For currently applicable policies and information, see the current Stanford Bulletin.
This archived information is dated to the 2008-09 academic year only and may no longer be current.
For currently applicable policies and information, see the current Stanford Bulletin.
In this section: GERLIT 16N. Music, Myth, and Modernity: Wagner's Ring Cycle and Tolkien's Lord of the Rings |
Up one level: |
GERLIT 16N. Music, Myth, and Modernity: Wagner's Ring Cycle and Tolkien's Lord of the Rings
(F,Sem) (Same as MUSIC 16N.) Stanford Introductory Seminar. Preference to freshmen. Roots of Wagner's operatic cycle and Tolkien's epic trilogy in a common core of Norse, Germanic, and Anglo-Saxon mythology. The role of musical motive and characterization in Wagner's music dramas and the film version of Tolkien's trilogy. Music as a key element in the psychological, political, and cultural revision of ancient myth in modern opera and film. GER:DB-Hum, EC-GlobalCom
3 units, Spr (Grey, T)
© Stanford University - Office of the Registrar. Archive of the Stanford Bulletin 2008-09. Terms of Use | Copyright Complaints